Countless scholars have appealed to multiple documentary sources and stages of redaction to explain the complex and often puzzling state of various Old Testament texts. Rarely do they attempt to describe the actual physical process by which such editing would have been carried out. A few scholars have even gone so far as to ridicule the idea that ancient scribes could have performed complicated edits the way modern writers do. Susan Niditch criticized the Documentary Hypothesis on this very basis some years ago, highlighting the implausibility of the techniques that the pentateuchal scribes are assumed to have used.
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At the heart of documentary hypothesis…is the cut-and-paste image of an individual pictured like Emperor Claudius of the PBS series, having his various written sources laid out before him as he chooses this verse or that, includes this tale not that, edits, elaborates, all in a library setting.
If the texts are leather, they may be heavy and need to be unrolled. Finding the proper passage in each scroll is a bit of a chore. If texts are papyrus, they are read held in the arm, one hand clasping or “supporting” the “bulk” of the scroll, while the other unrolls. Did the redactor need three colleagues to hold J, E, and P for him? Did each read the text out loud, and did he ask them to pause until he jotted down his selections, working like a secretary with three tapes dictated by the boss?
(Niditch, p. 113)